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this painting is in a different frame than the one illustrated in the catalogue for Christine Woodside's 2021 exhibition Memories Near & Far
As a result we’ve always described it as Scottish School but I suppose it could equally be French based on how little I know
writer and filmmaker and a deep thinker
looking back to the 1880s rather than the 1920s when it was probably painted
Stylistically it is pure Camberwell School of the period and if I were a betting man I would back three young students of the day–Christopher Pemberton
Ripples Under the Surface II sold this painting is in a
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