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his lines refute formality
Chen genuflects to this history
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The composition here is strongly divided: between colour and black
pinks and yellows
Exterior Interior - Print Dimensions:100cm (H) x 120cm (W) his lines refute formalityIn this work, we see how Michael Johnson combines the strategies of hard edged abstraction with a highly textured surface. The artist describes how: The edge is where the colours meet, not where the shape changes. The shape is the container for the colour. Im interested in the life of colours; my painting has got more to do with that than with form or tone or drawing. Most painters start with tone, but gradually colour becomes the issue. Reference:
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